2013 Suzuki SFV650 Motorcycle TestWhat’s in a name? Evidently a lot, because Suzuki’s SFV650 was known as the Gladius in 2009 and that odd Roman-inspired name just didn’t stick.
For 2013 Suzuki has gone name-less, just sticking to the model number: SFV650. The legacy of the Gladius lives on, with a 2013 model that is mostly unchanged – though the wheelbase is extended by nearly an inch – and it’s still a winner.The SFV Is offered in only one color scheme, Metallic Mat Black / Glass Sparkle with a glossy black frame, grab handles and tank insert surrounded by nicely sculpted matte black plastic bodywork, lots of plastic, giving it a particularly sexy, clean and stealthy appearance. It has a slim waist and carries its claimed 446-pound curb weight gracefully.The DNA in this standard-type motorcycle can be traced back to the 1990s and the SV650, which enjoys a cult-like following with many riders of all abilities finding something to love.The 2013 SFV650 is easy to ride no matter your skill level, it’s fast, won’t bore advanced riders, and it’s fun. Even after riding to pick it up on a Suzuki Hayabusa, riding out with the SFV650 was not a disappointment. In fact, there was no diminished experience, just something different.If you haven’t ridden a modern 650 lately, you will be in for a surprise. This baby leaps off the line, thanks to its torquey V-twin nature, yet it simply loves to rev to its redline at 10,500 rpm. Strong thrust is plentiful right off idle and has enough to grunt out of turns, even if you’re in too high a gear.The SFV650 has plenty of bottom end combined with a motor that’s happy at 80 mph, turning just over 6100 rpm there, with plenty to spare. Top speed on our private test track is about 122 mph.My first ride, as is often the case, is 90 miles of the best/worst freeways in Los Angeles to get back to the office. Here, the SFV acquits itself well and is happy to hum along at any rate you choose. The fairly wide spaced six-speed gear ratios offer just the right revs for the job and I quickly realized that this 650 has what it takes to be the master of traffic.The upright seating position – marred slightly by a pretty-but-hard seat that kept this six-footer closer to the tank and a bit squirmier than was my preference – is fairly comfortable and the bike moves over the road without being too stiff. The suspension is nothing to envy, and includes only preload adjustments front and rear. Still, this is enough for a bike like this. Twin Tokico 4-pistons calipers and 290mm rotor are up front, and a Nissin two-piston caliper grasps a 240 mm rear rotor; ABS is not offered.The mirrors don’t vibrate at all and are positioned perfectly as are the medium wide chrome handlebars. This, oddly, is the only chrome on the entire 2013 Suzuki SFV650 and the bars look cheap, unfortunately.The analog tach and digital speedometer along with a large gear indicator keep it simple but effective in the cockpit and there are two trip odometers, an odometer that starts counting up when you hit the reserve (nice touch) and a clock but there is no fuel gauge. Fuel tank capacity is almost four-gallons with nearly one-gallon in reserve and I averaged 47 mpg during my testing, which means you can probably do better.The real fun for me happened as soon as I dove into the corners right down to the peg feelers. There is no real learning curve when riding the SFV650. The bike is stable, just wants to turn and does not intimidate with its power or personality yet it really gets up and goes.Rolling on Dunlop Qualifiers mounted on 5-spoke cast wheels, the bike drops in smoothly and quickly and can be steered a bit with the throttle. The SFV650 feels more like a super motard than a standard and it exhibits more poise than one might imagine.The SFV grinds off the Qualifier’s chicken strips right to the edges and this, truly, is a bike that has you smiling or laughing in your helmet on the first few rides. Really. When following larger and faster big bikes through tight canyons I could read the small print on their license plate tags and it was all I could do to stay back and not go right by them.I have ridden many of the current middleweight favorites and some cost almost twice the $7999 asking price for the 2013 Suzuki SFV650. Sure, they are more refined and faster, but how much and at what cost?If red, white, and green paint aren’t mandatory colors for your next middleweight mount, and you realize that you don’t really need or want 125 hp in a bike this size, then the SFV650 may be the perfect choice for you. It hauls ass, sips fuel, does well on the highway and is an absolute hoot in the canyons.Photography by Don WilliamsRiding Style:
Our first segment introduces you to the new Arch 1s. This latest, slightly more sporting American V-twin, adds to the original KRGT1 coming from the boutique manufacturer based in Hawthorne, Southern California. Senior Editor Nic de Sena rode through Malibu with Gard Hollinger, who co-founded Arch Motorcycle with his friend, Keanu Reeves. The 1s is a unique ride for sure, and Nic explains what makes the bike really stand out.
For the entertaining story behind Arch Motorcycle from Gard Hollinger himself, you must listen to his podcast episode on Motos & Friends HERE
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The guest segment of Motos and Friends is brought to you by the faster and most technologically advanced, 2023 Suzuki Hayabusa—visit your local dealer or suzukicycles.com to learn more.
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In our second segment, Associate Editor Teejay Adams chats with multiple Emmy award-winning writer, Producer, Director, and actor, Thom Beers. the former Chairman & CEO of Fremantle Media North America, responsible for American Idol and America’s Got Talent.
Thom’s fertile imagination led to most of the really big reality TV shows such as ‘Deadliest Catch’ (now in its 17th season!), and many others. Of course for us in the motorcycle world, you’ll be interested to hear the genesis and story of how he started the first real fabrication reality show ‘Monster Garage’, that showcased Jesse James, and then how that led to ‘Biker Build Off’ and the ‘Zombie Choppers’ movie.
You’d imagine that most of Thom’s time is spent sitting behind a desk and on his phone. Not so. His intense stories of capturing much of the content for these shows make for some hair-raising listening.