The unusually long four-year development period was time well spent.
This styling was controversial when the Hayabusa was first released in 1999.
The year 1967 was awash in monumental events. Summer of Love bromides aside, the image of Hendrix immolating his Strat at Monterey is a visual time stamp of a convulsive year. Change and upheaval, among other things, were in the air.
Broadly, there are three areas that combine to make speed. Naturally, engine power is one and weight is another. However, few competitors outside the Bonneville Salt Flats appear to give as much thought to the third: aerodynamics. The Ecosse Spirit ES1 is a radical new concept threatening to turn motorcycle performance on its head.
"I've always been an extremist," Frenchman-turned-Floridian Christian Travert says as he swivels around in his chair and smiles. He displays 17 months of design work: 4,972 computer files with pre-production renderings of his V-Rex motorcycle. Clearly, he is extreme in his perfectionism.
The sixties were drawing to a close when promoter Edison Dye trespassed on American Hare Scrambles with a form of off-road racing he imported from Europe. Dye had convinced a number of European riders to cross the pond and compete in an exhibition series to introduce the sport to America. The sport was called Motocross and dirt biking would never again be the same Stateside. (Click image to enlarge)
What’s not to like? Ducati takes its liquid-cooled, four-valve, L-twin Testastretta motor pumping out 130 hp and drops it into a trellis-framed naked bike with a semi-upright rider’s position, then tops it off with the paint scheme from the Italian flag (or the nearest pizza joint), carbon fiber here, there and everywhere, plus distinctive dual mufflers stacked high on the right.
Partnering with the Monte Carlo-based Wally Yachts, MV Agusta is offering a limited edition Brutale 910R featuring distinctive styling touches that include an exclusive paint scheme and a seat with Wally embroidering.
When asked how long he has wanted to build a water-cooled production sportbike, it takes a moment for a telling expression to wash over Erik Buell's face. A nearby engineer overhears the question and erupts with knowing laughter—yet another unspoken confirmation that a large part of Buell's nearly quarter-century of bike building has been tinged with a bit of unconsummated technological craving.